Metáfora, repetición y musicalidad. María Zambrano y Chantal Maillard

  • Lola Nieto Universitat de Barcelona
DOI: https://doi.org/10.5209/rev_DICE.2015.v33.48358
Keywords: María Zambrano, Chantal Maillard, Metaphysical thought, Postmodern thought.

Abstract

This article deals with two writings that arise from the same impulse: the attempt of knowing what the subject is. Both María Zambrano, with the poetic reason, and Chantal Maillard, with the aesthetic reason, are trying to find, through philosophy, that cognitive background where thought and experience is so intensely intertwined. They start their walking in the same point, they share the same strategies (metaphor, repetition and music) but the result is radically different. Zambrano builds a metaphysical system in which the poetic word is able to reveal a hidden essential truth of Being. Maillard disables the inherited concepts to mark the logical mechanism of language and its epistemological limitations. The writing of María Zambrano nests in modern thought. The writing of Chantal Maillard fiercely bursts these postulates to stroke a postmodern thought.

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Published
2015-02-10
How to Cite
Nieto L. (2015). Metáfora, repetición y musicalidad. María Zambrano y Chantal Maillard. Dicenda. Estudios de lengua y literatura españolas, 33(Especial), 179-193. https://doi.org/10.5209/rev_DICE.2015.v33.48358
Issue
Vol. 33 No. Especial (2015): A hombros de gigantes: nuevas líneas de investigación en literaturas hispánicas
Section
Articles

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