El concierto sacro: de la iglesia a los salones y teatros

Abstract

In the second half of the 19th century, the press often reported on performances of sacred music, both inside and outside the temple, especially coinciding with the most solemn celebrations, such as Holy Week. Initially the newspapers described and even commented on the music of liturgical celebrations, but as the century wore on, the references to performances of sacred music outside the church increased, focusing on its presence in the theatres and salons of civic associations, primarily during periods like Lent, when theatrical performances were forbidden. This article centres on the performances of sacred music in Spain during the second half of the nineteenth century, as well as its promoters, venues, repertoires and performers. Based on these findings, conclusions are drawn about the significance of these activities and the reception of particular works and composers. Finally, new lines of research are suggested.