Decolonial Feminism and Film in Mexico. Towards a Situated Film Theory
Abstract
This article suggests the development of a decolonial feminist cinematographic theory, articulated to the opposing arguments made to hegemonic feminism. Its principal aim is to create a site for the generation of knowledge that strengthens situated practices of production. It contributes to the argumentation of a theoretical void about the participation of subaltern women in the national cinema.
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