“The feminine” and “the masculine” of flamenco dancing and its current hybridization: Manuel Liñán
Abstract
The purpose is to advance on the study of flamenco dance these days from the perspective of gender, taking into account the body as a medium of expression from which we can observe the phenomena of hybridization, diversity and transgression present in the artists of the era of globalization. Therefore, the characteristics of “feminine” and “masculine” in “traditional” flamenco dance and its subsequent development will be studied. For that, we will analyze the dancer Manuel Liñán for being a clear example of all this, including his last show, Baile de autor, as the culmination, until now, of his artistic and aesthetic development.
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