On Pirandello’s versions of Liolà
Abstract
Pirandello’s interest in his Sicilian dialect, which was the theme of his dissertation, appears in many of his masterpieces. Some of them, like Liolà, were written first in dialect and then translated into Italian by Pirandello himself. In this paper the first version and his close Italian translation (1928) are compared with the 1937 Italian stage version, which is a complete recreation of the play. This analysis will highlight the Pirandellian obsession to get better translations of his dialectal texts in order not to their colour and spontaneity.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Cuadernos de Filología Italiana is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.