Voci di Pasolini. L’uso della voice-over nel teatro e nel cinema di fiction
Abstract
This essay is a preliminary survey on the voice-over (generally attributable to the author’s figure) in two fields of Pasolini’s art: dramas and fictional movies. After a historical and theoretical introduction to the voice-over throughout 20th century, I aim to study the poetic implications of this narrative device in Affabulazione, Calderón, Uccellacci e uccellini and La sequenza del fiore di carta.
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