Dolor, reconocimiento y diferencia: en torno al último canto de la Ilíada
Keywords:
Epos, Achilles, Change of tones, Hölderlin, Pindar
Abstract
An interpretation of the closing of the Iliad is outlined from what according to certain analyses of Hölderlin we can call the “ideal” path characteristic of the figure of Achilles. The rupture of that “ideal” through the “catastrophe” of the poem articulates a return to that “naiv” that at the end of the Iliad is linked with the imperative to assume the pain and to keep the difference between the spheres of the man and of the god, something that we clarify by means of an analysis of the Isthmian VIII of Pindar and the reading of certain fragments of Hölderlin.Downloads
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Published
2008-10-10
How to Cite
Míguez Barciela A. . (2008). Dolor, reconocimiento y diferencia: en torno al último canto de la Ilíada. Anales del Seminario de Historia de la Filosofía, 25, 189-210. https://revistas.ucm.es/index.php/ASHF/article/view/ASHF0808110189A
Issue
Section
Estudios
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