Music and subjectivity Hegel and romantic conceptions of music
Abstract
Hegel’s definition of music as Kunst des Gemüts do not refer to the simple expression of feelings, but to the fact that only the music is directed to the self, the self as such, absolutely. That music is not only expression of particular feelings, but of pure feeling or subjectivity itself, is based on the most decisive feature that share music and soul: the temporality. Music expresses the self in its radically temporal essence. It is not necessary to emphasize the metaphysical function that follows from this conception of music. Far from the romantic origins of Wackenroder, E.T.A. Hoffmann or F. Schlegel, Hegel holds a romantic conception of music.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Anales del Seminario de Historia de la Filosofia is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.