Picasso y la historia. El caso de Las Meninas
Keywords:
Picasso, Velázquez, Tradition, Spanish School,
Abstract
Picasso’s revolutionary image has gradually evolved into a more conservative, traditional one. Indeed, a deeper look at his work shows that the he has always had a keen interest in the art of the past. Tradition unfolds before him as an attractive repository of forms from which to choose and reinterpret in a personal way. And within the entire Spanish artistic tradition, he found a personal challenge in Velázquez’s Meninas. By reinterpreting the Meninas, Picasso not only showed his respect but also his independence in relation to the Baroque master, asserting his place in history.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2008-10-28
How to Cite
Jiménez-blanco M. D. . (2008). Picasso y la historia. El caso de Las Meninas. Anales de Historia del Arte, Extra, 527-534. https://revistas.ucm.es/index.php/ANHA/article/view/ANHA0808120527A
Section
Articles
License
In order to support the global exchange of knowledge, the journal Anales de Historia del Arte is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
