Martha Graham: yoga, and Indian dance
Abstract
This paper examines Martha Graham's early engagement with Indian and Indian-derived ideas, which she initially received from her mentor, Ruth St. Denis. Subsequently, as documented in her Notebooks, Graham engaged with various Indian writings likely inspired by St. Denis that continued beyond the Denishawn period and enriched her understanding of Indian philosophies and aesthetics, serving as a meaningful source of inspiration for her choreographies. I study the interplay between Graham and Indian dance, which is best understood through the impact of yoga on her technique and its role in integrating Indian aesthetics into her later choreographic dramaturgy, as documented in her Notebooks.
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