'Foreign Bodies' in the collection of the Museo Nacional – Centro de Arte Reina Sofía: 'Rapture' (Arrebato, I. Zulueta, 1979) and the construction of the Spanish 'Other Cinema'

  • Valeria Camporesi Universidad Autónoma de Madrid
DOI: https://doi.org/10.5209/anha.66061
Keywords: Rapture, Zulueta, MNCARS, Spanish cinema after Franco, reception, artistic heritage

Abstract

The insertion of commercial films in art museums is problematic. The article explores the inclusion of Rapture (Arrebato, I. Zulueta, 1979) in the collection of the MNCARS as a case study to explore that complexity. Its conclusions include a proposal on how to establish a more accurate dialogue among art and cinema taking into account the history of films as communicational objects.

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Published
2019-10-15
How to Cite
Camporesi V. (2019). ’Foreign Bodies’ in the collection of the Museo Nacional – Centro de Arte Reina Sofía: ’Rapture’ (Arrebato, I. Zulueta, 1979) and the construction of the Spanish ’Other Cinema’. Anales de Historia del Arte, 29, 229-244. https://doi.org/10.5209/anha.66061
Issue
Vol. 29 (2019): Repensar el Museo
Section
Foro

License

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