The Second Phase of the Hall of Mirrors: the Writing Desks and the Firedogs Ordered by Velazquez to Italy (1649-1660)
Abstract
We are reviewing the decoration commissioned by Velazquez to Italy bound for the Hall of Mirrors in the Alcazar in the decade of 1650, and we reveal how the famous lions were conceived with cornucopias on the heads to be used as torch stands before he had to adapt them as table supports. Being in Madrid, the arrival of some porphyry vases caused that they ordered table-tops of this material for the writing-desks. The changing role of the lions made way in the fireplaces for firedogs of the four Elements requested duplicate to Algardi, an order which circumstances we clarify as its style and iconography, and we demonstrate that another similar firedogs set was made being still the Sevillian alive.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Anales de Historia del Arte is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.