In the Early Renaissance. Brunelleschi’s Dome and Reflexions about Paolo Uccello
Abstract
Taking as main idea the year 1436 when is solemnly inaugurated, in the absence of its small tower [or cupola], the dome of Florence cathedral and, being this the year of Paolo Uccello’s Acuto, it’s about to gloss and reflect, five hundred and eighty years later, on the paradigmatic Brunelleschi’s construction and on Uccello and its important contribution to the history of art.Downloads
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