Tourism, Art and Masquerade in Spain: the Case of the Costa BravaTourism, Art and Masquerade in Spain: the Case of the Costa Brava
Abstract
This paper could be considered a “case study” of its author’s doctoral thesis project, which deals with art and tourism in Franco’s Spain. The specific case of the Costa Brava is taken into consideration here. It is analysed what role has the historiography of tourism traditionally assigned to the Costa Brava, and an alternative version to it is proposed based on a visual revision of the tourism boom. The images produced by the touristic industry and those coming from the field of art –such as Francesc Català-Roca’s and Xavier Miserachs’ photographic projects about the Costa Brava– are analysed in parallel. Can we talk of a touristic iconography of the Costa Brava? How much of masquerade and how much of portrait is there within it?Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Anales de Historia del Arte is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.