El cuento de hadas feminista y las hablas manipuladas del mito: de la literatura a las artes visuales
Abstract
Este artículo analiza la manera en que la literatura y el arte feministas desarticulan el habla escrita y visual embellecida, artificial y manipulada del cuento de hadas mítico. Tras estudiar la formación del canon de cuentos más conocidos en relación con su proceso de mitificación (ejemplificado principalmente mediante la transformación en mito del personaje de la princesa), en las siguientes secciones indagaré en las formas que adopta la desmitificación del lenguaje y las estructuras que sirven de soporte a la transmisión del cuento y su ideología. Me centraré para ello en la obra de las escritoras Anne Sexton y Angela Carter y de las artistas Paula Rego y Dina Goldstein.
Abstract
This article analyzes the way in which feminist literature and art dismantle the embellished, artificial and manipulated shape of the fairy tale as myth in both its written and visual forms. First, I will explore the formation of the fairy-tale canon in relation to the process of mythification, which I will illustrate through reference to the transformation of the figure of the princess into a myth. The following sections investigate the diverse ways in which the speech and structures that serve to the transmission of the mythic fairy tale and its ideology are demythologized in the work of Anne Sexton, Angela Carter, and the artists Paula Rego and Dina Goldstein.
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Amaltea. Revista de mitocrítica is an open access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access."Full-text articles published in Amaltea. Revista de mitocrítica are open-access and published under a CreativeCommons License Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) http://creativecommons.org/licenses/by-nc-nd/4.0/deed.en. Reproduction, distribution or public communication of these articles with commercial purposes requires the Editor’s prior written. Redistribution for academic purposes is permitted, provided that the source and authorship are properly acknowledged, and that the journal is credited with the first publication, by adding a link to the journal's official URL. If available, the DOI of the article in question should also be included.