Amaltea. Revista de mitocrítica https://revistas.ucm.es/index.php/AMAL <p><em>Amaltea</em> (ISSN-e 1989-1709) is a journal of myth criticism founded by José Manuel Losada in 2008, intricately linked to <em>Asteria, International Association of Myth Criticism</em>. It looks at how ancient, medieval and modern myths were accepted in literature and the arts from 1900 to the present day. It publishes articles in English and Spanish.</p> Ediciones Complutense en-US Amaltea. Revista de mitocrítica 1989-1709 <em>Amaltea. Revista de mitocrítica </em>is an open access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access."<p>Full-text articles published in <em>Amaltea. Revista de mitocrítica </em>are open-access and published under a CreativeCommons License Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/deed.en" target="_blank">http://creativecommons.org/licenses/by-nc-nd/4.0/deed.en</a>. Reproduction, distribution or public communication of these articles with commercial purposes requires the Editor’s prior written. Redistribution for academic purposes is permitted, provided that the source and authorship are properly acknowledged, and that the journal is credited with the first publication, by adding a link to the journal's official URL. If available, the DOI of the article in question should also be included.</p> Hubris and Nemesis: the Myth of Oedipus and Identity in Crossed: Wish You Were Here https://revistas.ucm.es/index.php/AMAL/article/view/90326 <p>The themes of past sins have occupied our collective imagination since the dawn of humankind. The ways in which characters are faced with their nemesis have changed throughout history, but the structure of the myth permeates our culture even nowadays. In this essay, Shaky from Simon Spurrier’s <em>Crossed: Wish You Were Here</em> is analysed and compared to Sophocles’ <em>Oedipus Rex</em> to determine if this myth still accurately represents some of our oldest fears, if its structure still serves the purpose of identifying anxieties in our culture, and it the Oedipal process can help explain Shaky’s search for identity.</p> Jaime Segura San Miguel Copyright (c) 2024 Amaltea. Revista de mitocrítica 2024-02-19 2024-02-19 16 e90326 e90326 10.5209/amal.90326 Rewriting the Myth of Atalanta: Cross-Dressing and Gender Equality in Emily Hauser’s For the Winner https://revistas.ucm.es/index.php/AMAL/article/view/87904 <p>This article studies Emily Hauser’s <em>For the Winner</em> (2017), a contemporary reimagining of the myth of Atalanta. This novel belongs to a women-authored literary mode that gives prominence and a voice to classical female characters and myths. Close examination of the politics of cross-dressing, as well as how Atalanta’s mythic identity is reconstructed as a heroine undaunted by gender lines reveals that Hauser’s approach constitutes a central site for ascribing meanings of determination, agency, and gender equality, thus culturally repositioning the male-centredness of her canonical representations and providing a feminist reinscription of the myth.</p> Daniel Nisa Cáceres Copyright (c) 2024 Amaltea. Revista de mitocrítica 2024-02-28 2024-02-28 16 e87904 e87904 10.5209/amal.87904 The mystery of Medea: the original meaning of the character in literature and cinema https://revistas.ucm.es/index.php/AMAL/article/view/91856 <p><span style="vertical-align: inherit;">Within cinematographic art – unlike literary art – the character of Medea has been brought to the screen in the absence of condemnatory meanings of a moral nature. The primordial essence of the myth of Medea in the cinema is presented unrelated to the philosophical, scientific and rational point of view, since its ultimate meaning escapes even the literary language itself. Certainly, the most outstanding cinematographic creators have given life to this mythological figure in relation to the ineffable, that is, as an imaginary archetype that produces meaning: united with the symbolic, the silence, mystery and art.<br /></span></p> Encarnación Fernández Gómez Copyright (c) 2024 Amaltea. Revista de mitocrítica 2024-06-25 2024-06-25 16 e91856 e91856 10.5209/amal.91856 Narrativity and myth in epic fantasy open-world videogames. Textual, environmental and performative myths https://revistas.ucm.es/index.php/AMAL/article/view/90062 <p>This essay studies narrativity and myth in the video game. With this objective, we explore the relevance of the narrative elements in this medium, such as the characters and the space, with the inclusion of a unique characteristic: the interaction. Based on the connection of the video game with space stories, such as epic fantasy, we delve into the relevance of myth in open-world video games to propose a classification of myths in this medium: textual myths, closer to tradition and expressed in verbal form; environmental myths, the result of the hypermedia condition of the video game and the player's archaeological behavior; and performative myths, created by the player with his decisions and movements. Finally, this proposal is developed through a brief analysis of two open-world video games: <em>World of Warcraft</em> and <em>Dark Souls III</em>.</p> Antonio Castro Balbuena Copyright (c) 2024 Amaltea. Revista de mitocrítica 2024-05-29 2024-05-29 16 e90062 e90062 10.5209/amal.90062 Vaz da Silva, Francisco. The Meanings of Enchantment. Wondertale Symbolism Revisited. The Kalevala Society, 2023. ISBN: 978-952-9534-05-0. 218 pp https://revistas.ucm.es/index.php/AMAL/article/view/92601 Patricia Rojo Lemos Copyright (c) 2024 Amaltea. Revista de mitocrítica 2024-04-08 2024-04-08 16 e92601 e92601 10.5209/amal.92601