https://revistas.ucm.es/index.php/AMAL/issue/feedAmaltea. Revista de mitocrítica2024-02-28T07:30:40+00:00José Manuel Correosoamaltea@filol.ucm.esOpen Journal Systems<p><em>Amaltea</em> (ISSN-e 1989-1709) is a journal of myth criticism founded by José Manuel Losada in 2008, intricately linked to <em>Asteria, International Association of Myth Criticism</em>. It looks at how ancient, medieval and modern myths were accepted in literature and the arts from 1900 to the present day. It publishes articles in English and Spanish.</p>https://revistas.ucm.es/index.php/AMAL/article/view/87904Rewriting the Myth of Atalanta: Cross-Dressing and Gender Equality in Emily Hauser’s For the Winner2024-02-28T07:30:40+00:00Daniel Nisa Cáceresdniscac@upo.es<p>This article studies Emily Hauser’s <em>For the Winner</em> (2017), a contemporary reimagining of the myth of Atalanta. This novel belongs to a women-authored literary mode that gives prominence and a voice to classical female characters and myths. Close examination of the politics of cross-dressing, as well as how Atalanta’s mythic identity is reconstructed as a heroine undaunted by gender lines reveals that Hauser’s approach constitutes a central site for ascribing meanings of determination, agency, and gender equality, thus culturally repositioning the male-centredness of her canonical representations and providing a feminist reinscription of the myth.</p>2024-02-28T00:00:00+00:00Copyright (c) 2024 Amaltea. Revista de mitocríticahttps://revistas.ucm.es/index.php/AMAL/article/view/90326Hubris and Nemesis: the Myth of Oedipus and Identity in Crossed: Wish You Were Here2024-02-19T09:39:18+00:00Jaime Segura San Migueljaimesegurasanmiguel@ucm.es<p>The themes of past sins have occupied our collective imagination since the dawn of humankind. The ways in which characters are faced with their nemesis have changed throughout history, but the structure of the myth permeates our culture even nowadays. In this essay, Shaky from Simon Spurrier’s <em>Crossed: Wish You Were Here</em> is analysed and compared to Sophocles’ <em>Oedipus Rex</em> to determine if this myth still accurately represents some of our oldest fears, if its structure still serves the purpose of identifying anxieties in our culture, and it the Oedipal process can help explain Shaky’s search for identity.</p>2024-02-19T00:00:00+00:00Copyright (c) 2024 Amaltea. Revista de mitocrítica