From Plato to Foucault: arts and philosophy in the works of Angélica Liddell
Abstract
This article aims to explain the philosophical references cited in the works of the Spanish playwright Angélica Liddell and their relation with Liddell's conception of the human being and of the art. The thesis that is defended points to the emancipation of the human being as justification of the production of works of art as the cause of the appearance of names and philosophical theories in Liddell's theoretical and scenic texts. I will focus on the cited texts of the following philosophers: Plato, Adorno, Benjamin, Wittgenstein, Kierkegaard y Foucault, which provides a set of ideas on the human being, arts and culture that conforms the ideal of Modernity. Liddell will reject this ideal and reclaim the prerrational, the sacred as the core of the human being and the art.
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