Denise Duncan, black ink
Abstract
The following article aims to observe the creative corpus of Catalan playwright Denise Duncan (Costa Rica, 1979). It departs from an analysis of the sociocultural context in which several theatrical projects, such as Duncan’s, emerge —addressing systemic racism. Afterwards, the piece briefly analyses some of the most relevant works written by the playwright, from Negrata de merda (2018) to Banzo, el aliento de las ancestras (2019). Finally, the article provides a deeper insight to the monologue Títuba. Bruixa, negra i ramera (2023), a piece that offers a syncretism of Duncan’s intersectional theatrical ideas.
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