From Art Historiography to the History of Philosophy. Ontology and the Baroque in Gracian’s "El Criticon"
Keywords:
Baroque, Age, Ontology, History, topics, motion, Gracián.
Abstract
This article studies the aesthetical concept of Baroque, from the analysis of its construction in the end of nineteenth century Historiography of Art and its adoption in French literary theory of mid-twentieth century, in order to essay its application to History of Philosophy. This is fruitful for the analysis and definition of Spanish Philosophy of first Modernity, as well as for the comprehension of its specificity in comparison with the most systematic Metaphysics of the seventeenth century.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2015-01-22
How to Cite
Lomba Falcón P. (2015). From Art Historiography to the History of Philosophy. Ontology and the Baroque in Gracian’s "El Criticon". Res Publica. Revista de Historia de las Ideas Políticas, 24, 137-168. https://revistas.ucm.es/index.php/RPUB/article/view/47789
Section
Artículos
License
In order to support the global exchange of knowledge, the journal Res Publica. Revista de Historia de las Ideas Políticas is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
