The Body in/of Art: the Experience of Extimacy
Abstract
the goal of this paper is to set the constitutive alteration impinged by the body in the experience of art, which according to Nancy thereby turns improper, in the light of a lacanian category that by means of the body makes evident the order of the real as excluded from the imaginary and the symbolic, and which therefore breaks representation down. this is the category of Extimacy, which lacan raises in Seminar VII (The Ethics of Psychoanalysis), when referring to the displacement undergone by the core of articulated meaning outside the symbolic-imaginary order, which opens up for the experience of a constitutive hiatus in/of identity that no process of identification, i.e. representation, might close down.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Res Publica. Revista de Historia de las Ideas Políticas is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.





