Verdad y verosimilitud en la narrativa de F. Schiller
Abstract
German studies usually take for granted Schiller´s aversion for prose narrative as a grounding aesthetic tenet within his thinking; yet it is a late «classicist» development and the result of a hard and fruitless dealing with this genre. This paper periodizes Schiller´s work and explores the great poet and playwright´s many attempts with the epic form, in order to inquire chronologically his later self-portrait as idealist Goethe´s counterpart.Downloads
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