Belleza libre artística – soporte textual para una hipótesis

Riferimenti bibliografici

Allison, H. E. (2001), Kant’s Theory of Taste. A Reading of the Critique of Aesthetic Judgment, New York, Cambridge University Press.

Branco, M. J. M. (2020), “‘uma certa falta de urbanidade’. As hesitações de Kant a respeito da música”, Con-Textos Kantianos, no. 12, pp. 270-91.

Costello, D. (2007), “Kant After LeWitt: Towards an Aesthetics of Conceptual Art”, en P. Goldie, E. Schellekens (ed.), Philosophy and Conceptual Art, New York, Oxford University Press, pp. 92-115.

Guyer, P. (1997), Kant and the Claims of Taste (2nd edition), Cambridge, Cambridge University Press.

Halper, A. (2020), “Rethinking Kant’s distinction between the beauty of art and the beauty of nature”, European Journal of Philosophy, no. 28, 4, pp. 1-19.

Kant, I. (2010), Crítica del juicio, trad.: M. García Morente, en Kant II, Madrid, Gredos.

Kivy, P. (2009), Antithetical Arts – On the Ancient Quarrel between Literature and Music, New York, Oxford University Press.

Lemos, J. (2021), “Kant and Recent Philosophies of Art”, Kantian Review, no. 26, 4, pp. 601-616.

______ (2017), Se e como poderá uma obra de arte ser bela, Madrid, CTK E-Books, Ediciones Alamanda.

McCloskey, M. (1987), Kant’s Aesthetic, Albany, NY, State University of New York Press.

Reiter, A., Geiger, I. (2018), “Natural Beauty, Fine Art and the Relation between Them”, Kant-Studien, no. 109, 1, pp. 72-100.

Scarre, G. (1981), “Kant on Free and Dependent Beauty”, British Journal of Aesthetics, no. 21, 4, pp. 351-62.

Schaper, E. (2003), “Free and Dependent Beauty”, en P. Guyer (ed.), Kant’s Critique of the Power of Judgment. Critical Essays, Lanham, Maryland: Rowman & Littlefield, pp. 101-19.

Shapshay, S. (2020), “Kant, Celmins and Art after the End of Art”, Con-Textos Kantianos, no. 12, pp. 209-225.

Stecker, R. (1990), “Lorand and Kant on Free and Dependent Beauty”, British Journal of Aesthetics, no. 30, 1, pp. 71-74.

______ (1987), “Free Beauty, Dependent Beauty, and Art”, The Journal of Aesthetic Education, no. 21, 1, pp. 89-99.

Tuna, E. H. (2018), “Kant on Informed Pure Judgments of Taste”, The Journal of Aesthetics and Art Criticism, no. 76, 2, pp. 163-74.

Young, J. O. (2020), “Kant’s Musical Antiformalism”, The Journal of Aesthetics and Art Criticism, no. 78, 2, pp. 171-81.

Zangwill, N. (2001), The Metaphysics of Beauty, Ithaca and London, Cornell University Press.