Kant’s “Theory of Music”

Riferimenti bibliografici

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Guyer, P. (2014), A History of Modern Aesthetics, Cambridge University Press, Cambridge.

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Hume, D. (2008), “Of the Standard of Taste,” in Aesthetics: A comprehensive Anthology, ed. S. Kahn and A. Meskin, Blackwell Publishing, Malden, pp. 103-112.

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Le Huray, P. and Day, J. (1981), Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries, Cambridge University Press, Cambridge.

Matherne, S. (2014), “Kant’s Expressive Theory of Music”, Journal of Aesthetics and Art Criticism 72 (2), pp. 129-145.

Mohr, G. (2010), “Kant on Music as Beautiful Art”, Mary Gregor Lecture, Chicago, February 19, 2010, URL = KantOnMusic20100502Web.doc

Monk, R. (1990), Ludwig Wittgenstein: The duty of genius, Penguin Books, New York.

Ravasio, M., “History of Western Philosophy of Music: Antiquity to 1800”, The Stanford Encyclopedia of Philosophy (Fall 2021 Edition), ed. E. Zalta, URL = https://plato.stanford.edu/archives/fall2021/entries/hist-westphilmusic-to-1800/

Thorndike, O. (2018), Kant’s Transition Project and Late Philosophy: Connecting the Opus postumum and Metaphysics of Morals, Bloomsbury, London.

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Wittgenstein, L. (1984), Culture and Value, University of Chicago Press, Chicago.

Young, J. (2020), “Kant’s Musical Antiformalism”, Journal of Aesthetics and Art Criticism 78 (2), pp. 171-181.