Feature and radio art
Abstract
The article proposes a historical analysis of the feature, understood as an artistic genre of radio, with the aim of knowing its relationship with radio art, recognizing key characteristics and elements, and identifying its most current development. Based on the historical method, through an exhaustive bibliographic review, three stages of the genre are recognized, their meaning is debated and the forms that the documentary assumes today are appreciated. It is enjoying renewed vitality, thanks to portable technologies and digital production and playback platforms, the new forms they take through podcasting, and the rise of sound non-fiction.
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