The women into Japanese cinema through the eyes of Ozu and Yoshida
Abstract
The study of the role of women throughout the history of cinema, is the center of multidisciplinary and pluriperspectivistic researches. This article focuses on the work of two filmmakers who evolve the figure of women for several decades in very different social, artistic and political contexts: from the classic vision of Ozu to the revolutionary look of Yohsida, the female characters travel the cinematographic plots of both filmmakers, setting the profile of a woman who embraces renewal, among the ruins of the tradition of Japanese culture.
Downloads
Article download
Crossmark
License
In order to support the global exchange of knowledge, the journal Historia y Comunicación Social is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
