Film editing as a tool for historical revisionism: the case of "Black Hawk Down"
Abstract
This paper describes the editing strategies used in the film Black Hawk Down in order to correct North American viewer’s impression on the Battle of Mogadishu. Its editing style forces the audience to share the rangers experience and principles, and stresses on the ethics and professionalism of US soldiers so as to transform a military debacle into an ethical triumph. This study presents the underlying role of film editing when defining (or redefining) the audience’s impression of a historical event. The methodological approach is based on Eisenstein theories and key concepts.
Downloads
Article download
Crossmark
License
In order to support the global exchange of knowledge, the journal Historia y Comunicación Social is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
