Back to the essence of cinema. To a reconsideration of its expressive forms
Keywords:
Essence of cinema, Scriptures realistic, Film and reality, Nature poetic cinema.
Abstract
The rapid change in the media is clamoring for a rethinking of the expressive forms -which do not travel as fast as technically- with which reality is part of the representation. To deprive the film of artifice, can cause a greater approach to its purity? We explore the concept of Realism; we study the first theorics interested in finding the parameters that give the cinema its essence. This allows us to understand and address its expressive substance to near us to the poetic which is inside in the own nature of the cinematographic discourseDownloads
Download data is not yet available.
Article download
Crossmark
Published
2014-01-15
How to Cite
Miguel Borrás M. (2014). Back to the essence of cinema. To a reconsideration of its expressive forms. Historia y Comunicación Social, 18, 33-48. https://doi.org/10.5209/rev_HICS.2013.v18.43946
Section
Articles
License
In order to support the global exchange of knowledge, the journal Historia y Comunicación Social is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
