L’image chez Tōru Takemitsu
Keywords:
Takemitsu, Music, Language, Nature, Japanese garden, Bachelard
Abstract
This article aims to scrutinize the origins of Tōru Takemitsu’s musical aesthetics across two lines of study: on one hand, it refers us to the Japanese tradition that treats Art as an harmony parallel to nature –specially from the aesthetics of the Japanese garden that it nourished to the European impressionism–, and on the other hand it attempts to analyze the contributions of the thought of Gaston Bachelard to the proposal of this Japanese musician.Downloads
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Published
2010-10-13
How to Cite
Kreidy Z. . (2010). L’image chez Tōru Takemitsu. Escritura e Imagen, 6, 229-240. https://revistas.ucm.es/index.php/ESIM/article/view/ESIM1010110229A
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