Malestar en la fotografía
Abstract
An unease is invading photography so much so that recent political manipulations are using photography to produce tricks. It is necessary to redefine and to dialectize the concepts of aesthetics and politics. With that purpose an analysis has to be done which shows the evolution, throughout 40 years, of the conditions and the modalities of the production of photographic reports, war reports in particular, and to study the ideological conditioning factors of exhibition, exposition and communication of photographic images produced: –in museums, the press and the Internet. freedom of making, of seeing, of thinking, of living…Downloads
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