De la obscenidad, o bien olvidar a Baudrillard

Abstract

The notion of obscenity, departing from Baudrillard, alludes to the complete the excess of representation and the excess of communication. Nevertheless, this category turns out to be partial to diagnose the reality of the art neither of the policy nor of the current communication. The victory of the obscenity hides that not everything is known, one neither sees, it nor is possible to wish. There is a certain theological load in Baudrillard's exposition that takes to him to make the image culpable. But any image is innocent, only there turn out to be obscene the arrogance of the images that give each other certain or the readings that are taken for unique. Only the absence of hue or shadow is obscene.