So That It May Be Lived: The Theatrical Conception in María Zambrano’s Thought
Abstract
María Zambrano's relationship with theater, in its political and metaphysical dimension, is a constant in the life and thought of the philosopher. After the experience of exile, Antigone appears to her, the tragic heroine who will accompany her for more than twenty years—in which she investigates time, dreams, delirium, democracy or piety—and who will bear fruit in her play La tumba de Antígona (1967). This paper, therefore, aims to illuminate these relationships and the reception of thought in current contemporary theater.
Downloads
Article download
Crossmark
License
In order to support the global exchange of knowledge, the journal Escritura e Imagen is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
