The Obsession with Movement. From a Scientific notion to a structuring element of Art
Abstract
In the late nineteenth century the notion of movement influenced the fields that, until then, ignored their sedentary lifestyle. Notions such as passion, memory, consciousness or spirit were considered by static theories lacking a dynamic that should be close. Over time as vital and structuring theories such as systems science of consciousness would be forced to take the move as a clear reality in the workings of the mind. Representatives of certain artistic disciplines would feel called to generate practices or find ways in which the call of the movement and its relation to consciousness had no place in his works.Downloads
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