Limits of Film Language in the Experimental Cinema in Late-Francoism
Keywords:
Experimental Cinema, Spanish Cinema, Isidoro Valcárcel Medina, Pere Portabella, Paulino Viota.
Abstract
In the last years of the Franco dictatorship, Late-Francoism, three filmmakers and artists filmed three experimental movies: Contactos (Paulino Viota, 1970), Vampir-Cuadecuc (Pere Portabella, 1970) y La celosía (Isidoro Valcárcel Medina, 1972). These movies explore what the meanings of the Cinema. Viota, Portabella y Valcárcel Medina attempted to find the limits of the Film Language.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2015-11-10
How to Cite
Deltell Escolar L. y García Crego J. (2015). Limits of Film Language in the Experimental Cinema in Late-Francoism. Escritura e Imagen, 11, 65-76. https://doi.org/10.5209/rev_ESIM.2015.v11.50966
Issue
Section
Articles
License
In order to support the global exchange of knowledge, the journal Escritura e Imagen is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
