Edoardo Robino: the Visible and the Invisible

Abstract

In this paper we will demonstrate the originality of the work of Edoardo Robino, an Italian artist which thought can’t be considered without his artistic production: sculpture and writing must be considered as a unity, as two sides of the same path of interpretation of reality. In the same way, in the thought of Robino nature and culture are not separate, but represent the two faces of a process in which man is involved from the start. Identity is also difference, and therefore is not suitable to deny the unity of nature and culture. This unity in difference has been investigated by the author from a structural point of view and forma the contemporary Philosophy of language, producing a procedure that can be interesting for the contemporary Aesthetics.