A propósito de la "anagnórisis" en una comedia mitológica temprana de Calderón de la Barca: "El mayor encanto, amor"
Keywords:
Spanish Baroque Theatre, Calderón de la Barca, El mayor encanto, amor, Classical tradition, Poetics, recognition.
Abstract
A common feature of the Spanish Baroque Theatre was the embodiment of dynamic storylines which gravitated around epistemic dualities, being one of the most interesting features, especially the emotional effects caused to the audience which consisted of concealment/disclosure of the real identity of any of the characters involved in the dramatic action. Our purpose is to study an early Calderon de la Barca's mythological comedy, El mayor encanto, amor (1635), to show the anagnorisis' functions (recognition), that it was a profusely resource used by Spanish playwrights of the golden centuriesDownloads
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Published
2013-02-07
How to Cite
Pascual Barciela E. (2013). A propósito de la "anagnórisis" en una comedia mitológica temprana de Calderón de la Barca: "El mayor encanto, amor". Dicenda. Estudios de lengua y literatura españolas, 30(Especial), 89-103. https://doi.org/10.5209/rev_DICE.2012.v30.41363
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Articles
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