Dante, Petrarca y Góngora en una despedida eviana
Abstract
In the original farewell of the “ canción de la muerte de Adonis”, a baroque work by the Ecuadorian Jacinto De Evia we find an extraordinary convergence of passages based on Dante, Petrarca and Gongora’s works. This poetic blending obtained by an enthusiastic empiricism shows the module changeableness, with a high level of literary use.
The imperative directed to the song - its metamorphosis into a bird, the succession of sentences at the end-, and possesses a strong intrinsic interest, as a sample of the experimentalism prevailing in the specific sphere of the author.
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