Video Creation in Spain: Holders, Conservation and Documentation
Keywords:
Video art, video art, museums, contemporary art.
Abstract
This paper studies the nature of the works of video and receiving treatment for preservation and documentation is currently within museum collections. Based on the information available in the network, we consider their medium and cataloging. This analysis reveals the characteristics of a medium of artistic expression based on audiovisual technology, and consistent with assets and production booming but whose specificity makes it differ from other audiovisual documents. Likewise addresses the main measures and solutions for preservation and dissemination as well as the relevance of the documentation of the works and their context to achieve the same ends.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2012-10-31
How to Cite
Rodríguez G. (2012). Video Creation in Spain: Holders, Conservation and Documentation. Documentación de las Ciencias de la Información, 35, 119-153. https://doi.org/10.5209/rev_DCIN.2012.v35.40449
Issue
Section
Articles
License
In order to support the global exchange of knowledge, the journal Documentación de las Ciencias de la Información is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
