New museological approaches in contemporary art museums: From the first critiques of the museum in the early twentieth century to today’s “micronarratives”
Abstract
This article takes a tour by some of the reviews and discussions that have occurred along the XX and XXI centuries around the museum, and its way of showing collections. For it we will reflect on the difficult and ambiguous relationship that most current art and, by extension, contemporary art museums, have maintained with the audience and the artists.Downloads
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