Nueva música sinfónica: acogida crítica y análisis de "Sinfonietta"
Abstract
This article analyses the critical reception and musical language of one of the basic works in Ernesto Halffter’s catalogue: Sinfonietta, emphasising the apparent contradictions and paradoxes that emerge from the score and the aesthetic lines of this New Art. Sinfonietta is one of the most important Spanish symphonic works of the 1920s, a prototype of avant-garde creation and the result of a very complex historical-social context. The analysis of the reception and musical language of this score will aid in the understanding of Madrilenian musical life of that period.
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