La disonancia de hoy consonancia de mañana. Un nuevo pacto entre compositor y público por el bien de la música

Abstract

The general public’s acceptation of artisitc novelties is one of the sources of friction between creators, the potential consumers of their creations and those who participate in the process, often having to act as intermediaries or witnesses of the (not always fluent) dialogue between composer and audience.

Between the recalcitrant nihilism of those who scorn the taste of the masses, and the commercial mannerism of those who merely seek to please all, there ought to be a field for new proposals opposing present-day monitored art: the antithesis of an euphoric and booming society, capable of living the artistic experience with enthusiasm.

Against unspoken self-censorship and the tyranny of novelty that ruminates what has already been masticated, this article proposes a new pact between composer and public for the benefit of music, that Art of Time that exterminates or suspends time, and in some way makes us immortal.