The different conceptions of space in the theory of audiovisual narrative
Abstract
The space, which has been the object of study by the most prestigious semiologists, deserves special attention in the theory of audiovisual narration.
This work, with the references of researchers, such as Gardies, Maras, François Jost ... as well as filmmakers like Eric Rohmer, addresses the diverse perspectives from which it has been studied, puts it in relation with time and compares its treatment in the cinema with to literary story and the painting.
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