El Decameron de Pasolini: manipulación “de autor”
Keywords:
Imagery, Poetic film, Author’s manipulation, Autobiographism
Abstract
Boccaccio’s prose is translated as “cinema of poetry”; Pasolini transforms in detail in “hallucinatory immediacy,” the logical and psychological life, movement boccacciano fictional character. The tunes iconographic pose as many keys to the insight of the process, which ends in the construction of the “disciple of Giotto”, a sort of fictional self.Downloads
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Published
2011-03-03
How to Cite
Cuevas M. Á. (2011). El Decameron de Pasolini: manipulación “de autor”. Cuadernos de Filología Italiana, Extra, 199-206. https://revistas.ucm.es/index.php/CFIT/article/view/CFIT1010110199A
Section
Articles
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