La precisión de la nada (reflexiones sobre Blow Up)
Keywords:
Antonioni, Cinema, Spaces, Image, Frame
Abstract
This article, starting from a general consideration of the first part of the production of Michelangelo Antonioni, develops a new analysis of the film Blow Up and its metatextual arguments. The article includes a long comparison with Las babas del diablo, Julio Cortázar’s short story which inspired the film, and proposes the analysis of the function and meaning of spaces, images and frames in the film of Antonioni.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2008-12-29
How to Cite
Conde Muñoz A. (2008). La precisión de la nada (reflexiones sobre Blow Up). Cuadernos de Filología Italiana, 15, 157-179. https://revistas.ucm.es/index.php/CFIT/article/view/CFIT0808110157A
Issue
Section
Articles
License
In order to support the global exchange of knowledge, the journal Cuadernos de Filología Italiana is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
