Las miradas del arte y la Arteterapia en tiempos de la COVID19

  • Ana Hernández Merino Universitat Politècnica de Valencia
  • María Montero-Ríos Gil Universitat Politècnica de Valencia.
Keywords: COVID19, art, art therapy, confinement, death, fear, isolation

Abstract

Faced with a situation as strange as it is unexpected, we cannot, and should not, stop asking ourselves questions about the consequences of this health, economic and social crisis. Aware that art and creation have accompanied us in difficult times, and will continue to be by our side to help us understand, resolve and share. To, despite any distance, feel united through images. As creators and art therapists, the work is also our response to the emotions and concerns that invade us. How confinement and the return to such abnormal normality affected us, how we lived the experience of isolation, distance, illness, death, fear. What we miss, the awareness of what we want to do, where we would like to return, or transcend. As well as other questions that arise when we think about the meaning of Art and Art Therapy in times of Covid-19. The images are like a multiple kaleidoscope of what has been lived and yet to be lived from this catastrophe. Nothing will be the same and to a greater or lesser extent it will leave its mark on us.

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Author Biographies

Ana Hernández Merino, Universitat Politècnica de Valencia

Doctora en Bellas Artes, Arteterapeuta y Terapeuta Ocupacional de CSM (Agència Valenciana de Salut). Codirectora del Master Arteterapia Universitat Politècnica de Valencia

María Montero-Ríos Gil, Universitat Politècnica de Valencia.

Psicoterapeuta. Docente y Miembro del comité directivo del Máster en Arteterapia UPV. Miembro del Idecart, colaboradora con el espacio Mertxe Blanco (Iruña).

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Published
2021-05-06
How to Cite
Hernández Merino A. y Montero-Ríos Gil M. (2021). Las miradas del arte y la Arteterapia en tiempos de la COVID19. Arteterapia. Papeles de arteterapia y educación artística para la inclusión social, 16(Especial), 1-10. https://doi.org/10.5209/arte.75874