The Poetic Subject: Last Chords in Blanca Varela’s Concierto animal

  • Olga Muñoz Carrasco
Keywords: Poetic voice, Blanca Varela, Concierto animal, Animals, Time, Death, Reality

Abstract

This article analyses the poetic subject of Blanca Varela’s Concierto animal (1999). To that end, the study focuses on the indentification of the poetic voice with animals, as well as on the flow of time, and finally on the increasing role of death, some of the fundamental aspects of this book.

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Published
2005-11-08
How to Cite
Muñoz Carrasco O. (2005). The Poetic Subject: Last Chords in Blanca Varela’s Concierto animal. Anales de Literatura Hispanoamericana, 34, 235-247. https://revistas.ucm.es/index.php/ALHI/article/view/ALHI0505110235A
Section
Articles