“Solo queda saltar”: the microfiction in the framework of Solo queda saltar, by María Rosa Lojo

Abstract

. In Solo queda saltar (2018), María Rosa Lojo returns to the character Isolina from El libro de las Siniguales y del único Sinigual (2016), and some symbols present in Bosque de Ojos (2011) entangling images and stories in an expanding narrative that, in turn, expresses its particular interpretation of the world fractured by the Galician republican exile in Argentina. The present work proposes an interpretative reading of the method of novel composition from the microfictional production, taking into account the fractality of the short forms and the real / virtual dialectic and oblivion/ memory for the rethinking of her condition as the daughter of exiles. For that, the study is based on the critical-theoretical reflections of Lauro Zavala (2006), Seligman-Silva (2008), Mariane Berissi (2014) and David Lapoujade (2018), among others.