The unsaid, the unauthorised and the non-place in Raúl Zurita. A reflection between philology, poetics and archive
Abstract
In this article we want trace a brief genealogy of the notion of “poetics”, its singularization in relation to the archive and its implementation in literary studies, especially by authors such as Rocío Badía Fumaz, with the aim of placing it in the context of the new revisions of philology, but above all as a possible and timely tool for scenarios of complex, expanded, tense languages, such as the work of the Chilean poet Raúl Zurita and in particular his essays not published in books nor largely reviewed by the criticism such as Literature, language and society (1973-1983) (1983) and “My testimony” (1985) from which a kind of bioeschatology was founded early on that will cross all of his work to the present.
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