Les dames bourgeoises dans le Paris du péché sans faute. La corruption de la dévotion chrétienne dans l’œuvre prévostienne

Keywords: Marcel Prévost, Bourgeois young ladies, Christian devotion, Sin, Eroticism

Abstract

The aim of this study is to analyse how Marcel Prévost (1862-1941), a writer described as an “erotic Christian”, depicted the varied way in which women understood religion. In his works, a number of bourgeois ladies satisfied their libidinous desire in the confessional itself; an equal number went to Church to be forgiven for their sins, thus allowing them, in the manner of modern Aphrodites, to transgress once again. His writing also depicted the way in which the corruption of some nuns contradicted the strong Christian morality of certain prostitutes. A whole series of behavioural divergences that were the hallmark of Marcel Prévost’s writing, which showed that the idealised notion of the angel in the home was nothing more than a fantasy, far removed from the reality of Parisian society as he knew it.

Downloads

Download data is not yet available.

Author Biography

Jordi Luengo López, Universidad Pablo de Olavide

Jordi Luengo López es Profesor Titular del Departamento de Filología y Traducción de la Universidad Pablo Olavide, de Sevilla. Es doctor por la Universitat Jaume I de Castelló (2007) (Premio Extraordinario) y por la Universidad del País Vasco - Euskal Herriko Unibertsitatea (Premio Extraordinario) (2017). Ha recibido el premio de Investigación Victoria Kent (2007) y el premio de Investigación Presen Sáez de Descatllar (2008). También el premio de la Asociación Española de Investigación de Historia de las Mujeres (AEIHM) (2008). Entre sus publicaciones destacan La otra cara de la Bohemia (2009) y Gozos y ocios de la Mujer Moderna (2008).

View citations

Crossmark

Metrics

Published
2022-12-16
How to Cite
Luengo López J. (2022). Les dames bourgeoises dans le Paris du péché sans faute. La corruption de la dévotion chrétienne dans l’œuvre prévostienne. Thélème. Revista Complutense de Estudios Franceses, 37(2), 257-265. https://doi.org/10.5209/thel.80921