Articles

• Totalitarian experience in Europe after WWII. Women’s Voices: exile, reporting and writing in French. Oana Orlea and Rouja Lazarova

  Margarita Alfaro Amieiro

  13-22

  • PDF (Español (España))
• The Destruction of the «Myth of Resistance» within the Mode Rétro: The Case of Patrick Modiano

  Ariadna Álvarez Gavela

  23-33

  • PDF (Español (España))
• The Necessary Invention of Sense: from If This Is a Man to Son of Saul

  Mario Aznar Pérez

  35-45

  • PDF (Español (España))
• “A Gigantic Sacrifice to the Obscure Gods”: Slavoj Žižek’s and Paul Celan’s Visions on Evil, Darkness and an Absconding God in the Aftermath of the Shoah

  Marius Christian Bomholt

  47-57

  • PDF (Español (España))
• Mixed loves with a belic landscape: the collaborationist policy in French Suite by Irène Némirovsky

  Carlos Brito Díaz

  59-68

  • PDF (Español (España))
• Odessa in flames: cinematic reflections of the war on the Eastern Front

  Carmen Burcea

  69-76

  • PDF (Español (España))
• Camus and the wars: from the testimony to silence

  Jean-Pierre Castellani

  77-88

  • PDF (Español (España))
• War is a cabaret. Reflections of the German interwar period from literature to musical cinema

  Isabel Castells Molina

  89-100

  • PDF (Español (España))
• Reflexions and reverbarations of the war in the literary work of Mircea Eliade: The Forbidden Forest and Twelve Thousand Head of Cattle

  Adrian Damşescu

  101-109

  • PDF (Español (España))
• a war as the destination of exile: London under the bombs as Carles Pi i Sunyer (1888-1971)

  Óscar Fernández Poza

  111-123

  • PDF (Español (España))
• Some literary and journalistic reflections of the Prague Spring in Spain (1968-1978)

  Alejandro Hermida de Blas

  125-132

  • PDF (Español (España))
• Women write about the French Resistance

  Brigitte Leguen

  133-139

  • PDF (Español (España))
• The White Ship (Roberto Rossellini, 1941) that heals the Blackshirts

  Ludovico LonghI

  141-149

  • PDF (Español (España))
• Reflections of World War II in the Spanish utopian novel: Los días están contados (1944), by Cecilio Benitez de Castro

  Mariano Martín Rodríguez

  151-161

  • PDF (Español (España))
• «“We Are All Mad Here”: Sylvia Plath’s "The Bell Jar" as a Political Novel»

  Laura de la Parra Fernández

  163-170

  • PDF (Español (España))
• a travel away from the war: Season in Venice by Wlodzimierz Odojewski

  Rocío Peñalta Catalán

  171-178

  • PDF (Español (España))
• Jorge Semprún and Primo Levi: writing and memory about concentration camps

  Javier Sánchez Zapatero

  179-189

  • PDF (Español (España))
• The memory of the horror: performing the concentration camps

  Alba Saura Clares

  191-201

  • PDF (Español (España))
• «Mysterious Kor» de Elizabeth Bowen: la representación del Blitz más allá de los paradigmas del mito

  Lola Serraf

  203-212

  • PDF (Español (España))
• «To those who don’t deserve the truth, don’t give it». On the possibility to fictionalize the Real and its sequels in Cynthia Ozick’s The Shawl

  Ramón Soto Gámez

  213-221

  • PDF (Español (España))
• The delirium of words: Robert Antelme’s return to life

  Inés Valle Morán

  223-233

  • PDF (Español (España))
• La escritura de Primo Levi frente a Auschwitz: razonar contando

  Leonardo Vilei

  235-246

  • PDF (Español (España))